When taking another picture of a popular site, we are not really consuming the site’s aesthetic resources but primarily our own identity, the picture feeling like an intimate supercolor memory but, to an uninvolved observer, looking like countless others already available on the internet.
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In Recharted Waters
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When taking another picture of a popular site, we are not really consuming the site’s aesthetic resources but primarily our own identity, the picture feeling like an intimate supercolor memory but, to an uninvolved observer, looking like countless others already available on the internet.